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The church of Santa Maria degli Angeli was built in the second half of the 17th century. The church was entrusted in 1662 to the confraternity of the same name. The simple façade, finished with a low gable, has two gabled entrance portals. In the centre is a large maiolica panel depicting the Madonna of the Angels with the lighthouse of the island of Sant'Andrea and the rocks of Campo and Piccioni in the background.

The church of Santa Maria degli Angeli is attached to a convent of the Passionist Fathers. The construction of the present complex took place in the last years of the 16th century. The church was completed in 1601, as evidenced by the date engraved on the architrave of the entrance portal of the church itself. Further work was carried out in 1840-42 to enlarge parts of the convent, with the construction of a new wing to make the structure suitable for the Passionist Fathers and the building of the bell tower. In 1854, a choir was built over the arches of the portico, thus modifying the original façade of the church. Adaptations were also made to the interior of the church, the chapels and the floor.

The church of Santa Maria degli Angeli dates back to the 12th century when the church was founded with a monastery. Demolished and rebuilt, the church was rededicated in 1529. There followed a period of prosperity which reached its peak in 1574 when Henry III, King of Poland and recently King of France, decided to visit the church. Young nuns from the most noble Venetian families were welcomed to the monastery, which enriched the church. After the suppression of the monastery (1810), the church was also closed (1848) and stripped of many of its possessions. After a restoration in 1861, it was reopened for worship in 1863, and in the early 19th century the two sides adjacent to the nave were used as a lazaretto to house the poorest families on the island.

The church of Santa Maria dei Carmini, commonly called "i Carmini", was first built in 1125 with the title of Santa Maria Assunta. Given to the Carmelites, it was completely rebuilt from 1286 with the adjoining monastery. It was consecrated in 1348 and rededicated to St. Mary of Carmel. The brick façade with curved gables was rebuilt in the first decades of the 16th century by Sebastiano Mariani and has five sculptures, probably by Giovanni Buora d'Osteno. The presbytery and the other two apsidal chapels were also rebuilt by Mariani between 1507 and 1514, harmonising the Gothic with the new Renaissance style. The bell tower, which was in danger of collapse, was rebuilt by Giuseppe Sardi in 1688.

The construction of the church of Santa Maria dei Miracoli began in the 17th century, at the same time as the convent of the same name, which was founded and assigned to the Reformed conventual Fathers of San Lorenzo. A restoration programme was carried out under the direction of Francesco Antonio Picchiatti (1662-65), with the collaboration of Cosimo Fanzago and Domenico Tango. The monastery, which after the unification of Italy was named after Princess Maria Clotilde of Savoy, now houses a public school.

The church of Santa Maria dei Miracoli is popularly known as one of the twin churches of Santa Maria in Montesanto (it is the one on the right), although the two structures differ mainly in their layout. This church is due to the reconstruction between 1675 and 1679 of an ancient medieval church affected by its proximity to the Tiber. In 1793 the church was assigned to the Confraternity of the Blessed Sacrament and in 1856 to the Arciconfraternita di San Gregorio Taumaturgo. Since 1915, the church has been officiated by the priests of the Sacred Heart of Jesus of Betharram, who previously occupied the church of the Holy Guardian Angels of Triton, which has now disappeared.

The church of Santa Maria dei Miracoli was built between 1481 and 1489 and is one of the earliest Renaissance buildings constructed in Venice. During the 16th century, interventions were made to the interior. The pilastered façade is divided into two orders, reversed from the classical canons of Vitruvius: the lower order, with Corinthian capitals, is architraved, while the upper order, Ionic, is composed of 5 blind arches. The façade is dominated by a large semi-circular pediment, decorated with a rose window, three oculi and two marble circles.

The church of Santa Maria del Carmine was built in the 17th century and rebuilt in the following century. The church was annexed to the Carmelite monastery of the same name and to the 17th-century oratory. In the years following the Second World War, around the 1950s, the façade of the church underwent significant changes, as did the bell tower.

The church of Santa Maria del Divino Amore dates back to 1729 when a pre-existing medieval church was completely rebuilt to a design by Filippo Raguzzini. In 1802, Pius VII entrusted it to the Confraternity of Divine Love, which has its headquarters there and from which the street and the church take their names. Only the bell tower, which dates from the 12th century, remains of the medieval church. The interior of the church has a single nave with a barrel vault, decorated with frescoes in the 19th century.

The church of Santa Maria del Giglio, also called Santa Maria Zobenigo, is believed to have been built in the 10th century. Its erection as a parish church is also uncertain and probably dates back to the 11th century. Its present appearance is the result of a restoration carried out in 1680. The 14th-century bell tower, isolated from the body of the church, was demolished in 1775 because it was dangerous. Its base is now used as a small shop. The façade of the church is the work of the architect Giuseppe Sardi (1624-1699) and is a Baroque masterpiece.