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The church of San Nicolò is a fine example of 16th-century architecture. In 1494, at the request of Alberto III Pio, Prince of Carpi, a new large monumental temple dedicated to St. Nicholas was built. The previous small church was demolished to make way for a Renaissance church, whose design and work was supervised by Baldassarre Peruzzi and completed in 1516, almost at the same time as the construction of the cathedral began. Inside, there are beautiful works in scagliola by local artists, as well as paintings by Bernardino Loschi of the Annunciation and San Rocco.

The church of San Nicolò was founded with the adjoining convent in the middle of the 11th century for Benedictine monks. It became very famous after the transfer of the bones of the saint, found in the church of Mira in Lycia during the first crusade. In 1626, the old church, built in 1044 by Doge Contarini, was in need of repair. The construction of a new church was undertaken and completed in 1634. The monastic community was suppressed by the Republic of Venice in 1770. The church was reopened at the beginning of the 20th century and since 1926 it has been run by the Franciscan Friars Minor.

The Church of St. Nicholas or Cathedral of Merano dates back to the 13th century. In 1367 a new choir was consecrated, rebuilt in Gothic style. The hall was rebuilt with a nave and two aisles and rotated in relation to the axis of the choir. The roof was built in 1450-1460 by Stefan Tobler from Burghausen, who built the Gothic cross vaults supported by round pillars. The 83-metre high bell tower is one of the most impressive in South Tyrol. Its construction took almost three centuries and was carried out in several stages: the three lowest floors were built between the 15th and 16th centuries. In 1617, the "Italian dome" was built.

The church of San Paolino was built in 1896 and enlarged in 1936-1948 for the expansion of the town. The consecration took place on 15 August 1921. The bell tower was completed in 1921, but it was destroyed during the Second World War and rebuilt in 1954. A general restoration took place in 1990, while the façade, with a large mosaic on a gold background, was cleaned in 2006. The 1960 Costamagna organ was overhauled in 2005.

The church of San Paolo in Ripa d'Arno, founded at the turn of the 10th and 11th centuries, is a fine example of Pisan Romanesque architecture. Originally belonging to monastic orders, it became a parish church from the 16th century. Damaged during the Second World War, the building was restored between 1949 and 1952.

The church of San Paolo Converso was built as the church of the nearby convent of the Congregazione delle Angeliche. The first stone of the building was laid in 1549 and its construction continued until 1580. In 1808, following the suppression of the convents in the Napoleonic era, the monastery was cleared and the church deconsecrated. Since 2016, it has also housed Converso, an exhibition space dedicated to contemporary arts, also founded by Locatelli Partners.

The church of San Paolo was built in the 10th century and from 1295 was entrusted to the Order of the Blessed Virgin of Mount Carmel. From 1301 onwards, the Carmelites financed the enlargement and embellishment of the building, including the construction of two cloisters in the 14th and 15th centuries. The cloisters, destroyed by fire, were restored as they appear today in the Renaissance period. The Ferrara earthquake of 1570 necessitated the reconstruction of the entire church, with the exception of the right wall adjacent to the cloister, which still preserves some of the frescoes that were part of the original building. Between 1797 and 1912, the monastery was used as a prison. The monastery and cloister were then destroyed during the war and were restored in 1968 to house some municipal offices. The church is called the city's pantheon because it houses the tombs of Ferrara's illustrious cultural figures.

The church of San Paolo dates back to the 10th century, but it was not until the 12th century that the building took on its present form. The exterior preserves the characteristics of the Tuscan Gothic style, while the interior, with a single bare nave, underwent important renovations in the 17th and 19th centuries, until the fire that destroyed the organ and the roof in 1895, damaging much of the furniture.

The church of San Pietro Martire was built in 1266 by the Cistercian fathers and belonged to the abbey of San Pastore di Greccio, also founded by them. It took its present name in 1576 when the Confraternity of St. Peter Martyr moved in and began a restoration and embellishment of the church that lasted until at least the 1730s. The society was abolished in 1739.

The church of San Pietro Martire was built in 1348 with a convent of Dominican fathers and was dedicated to Saint John the Baptist. It was erected by Marco Michiel and consecrated on 17 September 1417. It was completely destroyed by fire in 1474 and it was only in 1511 that it was rebuilt as it appears today. The church was closed in 1806, a few years after the fall of the Venetian Republic, and was not reopened for worship until 1813. It is currently one of the two parish churches on the island of Murano.