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The Church of the Blessed Sacrament and St. Michael the Archangel, known as the Church of San Michele, dates back to the 18th century when it was built together with a monastery, completed in 1706. Following the eruption of Vesuvius in 1794, half of the church was buried by lava, while the monastery was almost completely destroyed. In 1803, the Congrega del Santissimo Sacramento e San Michele Arcangelo bought and restored the church in 1804.

The original church of San Moisè is said to have been erected at the end of the 8th century by the Artigeri and Scoparii families and was originally dedicated to St Vittore. The church has been rebuilt over the centuries, but it is the 17th-century reconstruction that has had the greatest impact on the church. The façade was built in 1668 thanks to the financing of the brothers Vincenzo and Girolamo Fini who, according to their wishes, are represented on two busts placed above the side entrances. The project was carried out by Alessandro Tremignon from Padua, brother of the parish priest of the time, Andrea. In 1810, due to the Napoleonic edicts, the parish was suppressed and integrated into San Marco.

San Nicola was probably built in the 11th century as part of a convent. The church is famous for its bell tower, a possible addition of the 13th or 14th century when the Augustinians enlarged the church.

The Church of San Nicola da Tolentino, known as I Tolentini, is a 16th and 17th-century church whose adjoining convent is the seat of the Iuav University of Venice (Faculty of Architecture). The church was designed and built by Vincenzo Scamozzi between 1591 and 1602. Later, Andrea Tirali added a pronaos with a tympanum and six Corinthian columns to the unfinished façade (1706-1714). This church was hit by the Austrian bombardment of 1849: a cannonball, which fell in front of the high altar, shattering the false dome, is now embedded in the facade, as a reminder of this episode.

The church of San Nicola di Bari was built on the remains of the church of San Pellegrino, now destroyed, after a fire in 1226. According to tradition, it was completed in 1242 or 1292. In 1319 the church became a parish church. The church was decorated in the Italian Gothic style, and in the 17th century, there were some Baroque modifications which enlarged the original plan, adding three naves. In 1868, the church being in a precarious state of preservation, it was restored by Filippo Sargiacomo in the neoclassical style.

The church of San Nicolò ai Cordari was built in the Norman period, immediately after the period of Arab domination in the city of Syracuse. In 1577, the church was granted to the cordari (rope makers) who worked their ropes in the limestone quarries of Neapolis, located beyond the church. With the establishment of the Neapolis Archaeological Park in 1955, it became the headquarters of the information office for visitors preparing to tour the vast archaeological park. The church was and still is the entrance to the park. It now houses a small photographic museum which exhibits period photographs of all the Syracuse monuments located in the Neapolis Archaeological Park.

The church of San Nicolò dei Mendicoli or dei Mendicanti was built as early as the 7th century. This was the headquarters of the so-called Nicolotti, one of the factions of the Venetian people who were bitter rivals of the similar faction of the Castellani, who lived at the other end of the city in the neighbourhood of San Pietro di Castello. At least once a year, the two factions would clash violently on the Ponte dei Pugni (Fist Bridge) in the nearby parish of San Barnaba, in a traditional fistfight. The church was severely damaged in the flood of 4 November 1966. In the 1970s it was completely restored.

The church of San Nicolò is a fine example of 16th-century architecture. In 1494, at the request of Alberto III Pio, Prince of Carpi, a new large monumental temple dedicated to St. Nicholas was built. The previous small church was demolished to make way for a Renaissance church, whose design and work was supervised by Baldassarre Peruzzi and completed in 1516, almost at the same time as the construction of the cathedral began. Inside, there are beautiful works in scagliola by local artists, as well as paintings by Bernardino Loschi of the Annunciation and San Rocco.

The church of San Nicolò was founded with the adjoining convent in the middle of the 11th century for Benedictine monks. It became very famous after the transfer of the bones of the saint, found in the church of Mira in Lycia during the first crusade. In 1626, the old church, built in 1044 by Doge Contarini, was in need of repair. The construction of a new church was undertaken and completed in 1634. The monastic community was suppressed by the Republic of Venice in 1770. The church was reopened at the beginning of the 20th century and since 1926 it has been run by the Franciscan Friars Minor.

The Church of St. Nicholas or Cathedral of Merano dates back to the 13th century. In 1367 a new choir was consecrated, rebuilt in Gothic style. The hall was rebuilt with a nave and two aisles and rotated in relation to the axis of the choir. The roof was built in 1450-1460 by Stefan Tobler from Burghausen, who built the Gothic cross vaults supported by round pillars. The 83-metre high bell tower is one of the most impressive in South Tyrol. Its construction took almost three centuries and was carried out in several stages: the three lowest floors were built between the 15th and 16th centuries. In 1617, the "Italian dome" was built.