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The church of Santa Maria della Pace, built between 1565 and 1623, is a late Gothic church restored in Baroque style. It is part of the same complex with the convent of the Order of the Capuchin Friars, the Capuchin cemetery and the catacombs. The latter has become a tourist attraction, it contains no less than 8000 bodies and 1252 mummies that were placed there from the 16th to the 19th century.

The church of Santa Maria della Pace ai Parioli is the main church of Opus Dei, where the remains of its founder are kept. The church was built between 1954 and 1959 to a design by the young architect Jesús Álvarez Gazapo. The church consists of a single nave with the raised area of the presbytery where the high altar is located, in which the remains of Josemaría Escrivá (1902-1975) are kept.

The church of Santa Maria della Pace was consecrated in 1482 by Pope Sixtus IV on the site of an earlier chapel. In 1656-1667, Pope Alexander VII had the building restored by Pietro da Cortona, who added the famous baroque façade that juts out between the concave wings: this façade, which was intended to simulate a theatre stage, has two orders and is preceded by a semicircular pronaos supported by twin Tuscan columns.

The church of Santa Maria della Passione dates from 1486. The original plan, an octagonal lantern with eight connected chapels, may have been designed by Giovanni Antonio Amadeo but built by Giovanni Battagio. It was therefore centralised, as in many Marian sanctuaries in Renaissance Lombardy. In 1573, at the request of Carlo Borromeo, the building was transformed into a longitudinal layout, more suitable for preaching. The naves were added by Martino Bassi and the baroque façade (17th century).

The church of Santa Maria della Pietà is also known as the Church of the Dead, as it was entrusted in 1707 to the lay congregation of the same name. It is one of the largest Baroque monuments in the region. It was built in its present form at the beginning of the 18th century. The small triumphal arch that was built a few steps from the façade before 1732 was unfortunately demolished in 1839.

Santa Maria della Pomposa takes its name from the Abbey of Pomposa, one of the most important abbeys in northern Italy. The façade dates back to the Middle Ages, while the rest of the building was rebuilt in the 18th century when the parish was entrusted to the priest and famous scholar Ludovico Antonio Muratori (1672-1750), who is buried there.

The church of Santa Maria della Purità was built between 1662 and 1665 by the Bastasi brotherhood, the dockers. The façade, delimited on the sides by two pilasters and finished with a slightly protruding cornice on which rests a pediment with two lateral pinnacles, has two small windows placed in the axis of the two entrance portals. The façade is enriched with three majolica panels representing the Madonna della Purità, St. Joseph and St. Francis of Assisi.

The church of Santa Maria della Salute was built between 1950 and 1958 in the suburb of Primavalle, built in 1937 to accommodate about 7,000 to 8,000 Romans who had to leave their homes in the historic centre of the city following the demolitions ordered by the Fascist government. The construction of the parish church lasted until 1958; during the 1960s and 1970s, it was decorated with paintings, mosaics and polychrome stained glass windows, mostly donated by Canadian Catholics.

Santa Maria della Spina is a small Gothic church built in 1230 by the Gualandi family. In the 19th century, the church, while still standing on the banks of the Arno, was rebuilt on a more stable ground. Currently, the church is used to host exhibitions of contemporary art.

The church of Santa Maria della Stella, dating from 1130, is now a ruined and abandoned church. In 1221, the church was enlarged to become the mother church of the town. As the centre of the town moved further south, the construction of a new mother church dedicated to Santa Maria Assunta began in 1332 and was completed in 1402. In the 15th century, the owners of the church gave it to the Dominican fathers.