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The church of Santa Maria Mater Domini was, according to the chronicles, built in 960 and attributed from the beginning to the adjacent monastery of Santa Cristina. Rebuilt twice after fires in 1105 and 1149, it retained its Venetian-Byzantine style until it was rebuilt in 1503. The church now displays a Renaissance style.

The church of Santa Maria Mediatrice was designed by the architect Giovanni Muzio between 1942 and 1950. The exterior is made of brick with travertine elements, which frame the entrance portal in a double order of columns. The interior is composed of two naves, one in front of the other. The interior of the dome is covered with mosaics, the work of Giorgio Quaroni, Adriano Alessandrini and Ugo Chyurlia.

The church of Santa Maria Nuova is a Romanesque church dating from the 11th century. The present church must have been built on the site of a pre-existing sacred building, perhaps dating from the 6th century, dedicated to the Virgin, or even a pagan temple dedicated to Jupiter. Restoration work carried out between 1907 and 1914 restored the church to its original style, after additions made between the 17th and 19th centuries.

The church of Santa Maria Portae Paradisi was already known in the 9th century as Santa Maria in Augusta, and was given the name Porta Paradisi because one of the gates in the walls of the Mausoleum of Augustus, called paradiseiois, opened nearby, or because the cemetery (closed in 1836 due to the cholera epidemic) of the Hospital of San Giacomo in Augusta, called Incurabili, was located next door. In the 16th century, the church was rebuilt by Antonio da Sangallo the Younger, and took its present name.

The church of Santa Maria presso San Satiro was built in the 15th century, designed according to new Renaissance forms imported into the duchy by Donato Bramante. The church is famous for housing the ‘fake Bramante chorus’, a masterpiece of Italian Renaissance perspective painting.

The church of Santa Restituta, a religious building in Sora, is dedicated to the veneration of the town's patron saint. The church is believed to date back to the 12th century or even earlier, but the present neo-Romanesque building was constructed in the 1960s and 1970s, after the destruction of the previous church by the earthquakes of 1915 that destroyed the town of Sora.

The Church of Santa Rosalia was built in the 18th century and houses beautiful paintings such as the “St John and the Adoration of the Shepherds” by Vito D'Anna (1758) and the “Nativity with the Madonna”, “St Joseph and Saints” attributed to the same.

The Church of Saint Sophia is a circular building of Byzantine inspiration dating from the Lombard period and consecrated during the reign of Duke Arigis II of Benevento around 760. Now modernised, it has a roof supported by six ancient columns. The church was severely damaged by the earthquake of 1688 and was rebuilt in Baroque style under the direction of the future Pope Benedict XIII. It became a UNESCO World Heritage Site, one of a group of seven sites listed as Longobards in Italy.

The church of Santo Stanislao dei Polacchi, built in 1582, is the national church of the Poles living in Rome. The present church was built on a medieval church mentioned in documents from 1174 and 1209. Pope Gregory XIII granted the church to the Polish Cardinal Stanislaus Osio who, in the 1580s, had the church completely rebuilt and dedicated it to the patron saint of Poland, St Stanislaus Szczepanowski.

The church of Santo Stefano del Cacco was built in its present form in 1607 on an ancient medieval church probably dating from the 9th century. The bell tower, now part of the nearby monastery, and the apse date from the 12th century. Pope Pius IV granted it to the Silvestrin Fathers in 1563, with the charge of caring for souls. The church was restored by the same fathers in 1607 and again in the 18th and 19th centuries.