Explore Religious Heritage Across Europe

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Reformed church

Lopikerkapel, NL

The church is a single-nave brick building (plastered) with a high choir. (XV). In 1832 the church was significantly restored with the help of the States of Utrecht and completely restored again in 1950. Internal pulpit 18th century, a copper lectern, a copper chandelier 17th century. The organ front is from 1915. On the west wall (wooden partition between church and consistory) are two inscriptions, namely the Ten Commandments and the Twelve Articles of Faith, painted in 1771 by P. Landzaat. On a balcony under the organ two texts between which a dial of the 19th century clock. In the consistory a memorial board circa 1621. Bell tower with clock by G. Schimmel, 1682, diam. 56.5 cm. Mechanical tower clock, B. Eijsbouts, circa 1927, electric winding.

Reformed church

Schiedam, NL

Built as Reformed Church (Liberated) (GKV). In 1968 "GKV Buiten Verband". In 1979 the name of that church became Dutch Reformed Church (NGK).

Reformed Church, Szombathely

Reformed Church, Szombathely

Szombathely, HU

The Reformed Church was completed in 1939 and consecrated the same year by Bishop Vince Medgyasszay. The interior paintings of the church were made by Ilona Biczó and her husband. They contain biblical motifs, mixed with elements of Hungarian folk painting. The church survived the bombings of World War II unscathed, but underwent a major renovation in 1988. Its two-manual electric organ was built by Albert Péter.

Reformed church

Puttershoek, NL

Built as a Christian Reformed Church in 1916. In use as such until 1962.

Reformed church

Heesbeen, NL

Single-nave, straight-closed church with round-arched windows, 18th century, with remains of a medieval church in tufa stone in the western half; flat tower from the 14th century in brick. Oak pulpit and pew from the 18th century; funeral board from 1764 for Sophia Amalia Maria van Gent, lady of Heesbeen sculpted gravestone for Willem Torck, lord of Heesbeen (died 1557) and his wife Bartha Pieck. The front of an organ by C. van Oeckelen from 1823. The instrument is no longer present. Around the churchyard a brick wall with a gatehouse on the north side, with a saddle roof between gables. Bell frame with chime consisting of a bell by J. van Haer, 1393, diam. 90 cm. and a bell by an anonymous founder, 1393, diam. 85 cm.

Reformed church

Lellens, NL

NH Church on raised churchyard. Simple hall building from 1667 according to foundation stone in the south wall. Internal 17th century pulpit tub with sounding board and simple stairs; copper baptismal font. Two gentlemen's pews, circa 1700 and early 18th century, the second of which is covered. Other pews with knobs on the side pieces, organ balustrade with lectern. Number of 18th century gravestones. Large painted board with 64 Gruys-Tamminga quarter coats of arms from 1690. Cabinet organ, circa 1800 made by HH Freytag, converted into a church organ by GP Dik in 1860. Bell frame with bell by Van Bergen, 1918?, diam. 60 cm. retaining the inscription and decorations of the clock by C. Spronneaux and H. Veri, 1686. Mechanical tower clock probably 1687, decommissioned.

Reformed Church

Enter, NL

NH Church. Simple plastered hall church; large roof turret on the saddle roof. Round arch windows. Bell tower with bell by Nicolaus, 1315?, diam. 85.5 cm. Mechanical tower clock B. Eijsbouts, Asten with electrically driven clock and striking mechanism.

Reformed church

Hardinxveld-Giessendam, NL

Simple hall church without a tower.

Reformed church

Rotterdam, NL

Built as a Reformed Church (Liberated) in the IJsselmonde district. Now in use (since when?) by Jehovah's Witnesses. Between 2014 and 2019, the Jehovah's Witnesses left this building. Today, the building is used as a mosque.

Reformed church

Sprang, NL

Reformed Church. Late Gothic church, consisting of a three-sided closed choir from around 1400, a three-sided closed southern transept from the beginning of the 15th century, a straight-closed northern transept from the middle of the 15th century; a three-aisled nave of which the three eastern bays are from the same period and of the same style as the choir, the three western bays are higher and wider, belong to a new building plan from the end of the 15th century, as does the west tower.

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